BASKETS, BAGS
& DOLLS:
ART OF THE PLATEAU
INDIANS
[An exhibit that was at the
Riverside Municipal Museum
from Nov. 1, 1998 to June 19, 1999.]
The high plateau of the Columbia and Fraser River basins lies between the Cascade Ranges on the west and the Rockies on the east. It ranges from semi-deserts to dense forests and snow - covered mountains in what is now western Montana, Idaho, eastern Oregon and Washington states and southeastern British Columbia.
![]() Coiled Jar |
Linguistically the Plateau had two language groups:
1. Salishian Speakers to the North, with links to the Salish of the Northwest Coast, included the Shuswap, Okanogan, Wenatchi, Sanpoil, Kalispel, Flathead, Coeur d'Alene, Columbia, Thompson, Fraser, Lillooet, and Spokan.
2. Sahaptin-Klamath speakers were south of the Columbia River in the Snake River basin and included the Nez Percé, Cayuse, Umatilla, Yakima, Tenino, Klikitat, Walla Walla, Klamath and Modoc.Most of the Native American groups in this region were hunters, gatherers, and salmon fishermen dependent on the rivers and lakes and wild plants for food and transportation. Until the horse arrived in the late 1700s mobility was limited to walking and dugout canoes. With the horse many of the more eastern tribes adopted Plains Indian culture and even made long excursions to hunt buffalo. In 1805 -1806 the Lewis and Clark expedition obtained horses from some of these tribes, as well as provisions and the dugout canoes they used to travel down the Columbia River to the Pacific Coast.
Trade was extensive and a central part of Plateau life. The Pacific Coast Chinook people traveled up the Fraser and Columbia Rivers so much that Chinook was a lingua franca or trading language used over much of the Plateau.
| KLIKATAT & LILLOOET BASKETS | ||
|---|---|---|
![]() Lillooet Coiled Bowl |
![]() Klikatat Coiled Oval Pack or Cooking Basket |
![]() Klikatat Coiled Bowl |
![]() Klikatat Coiled Berry Collecting Basket |
![]() Klikatat Coiled Oval Bowl |
![]() Klikatat Coiled Bowl |
BEADED BAGS OF THE PLATEAU
In the 1820s and 1830 French and other European fur traders brought glass beads that were made in Venice, Italy and were known as "pony" beads. It was about this time that fully beaded bags began to appear.
In the 1860s smaller glass beads, known as "seed" beads were imported from Belgium or Czecho-Slovakia.
DESIGNS - early on beaded bags had geometric designs similar to the twined "root" bags - but in time the colorful beads were used to create floral patterns and pictorial motifs which proved to be very popular.
| BEADED BAGS OF THE PLATEAU | ||
|---|---|---|
![]() Yakima Leather Beaded Pouch |
![]() Yakima Leather Beaded Pouch |
![]() Nez Perce Leather Beaded Pouch |
![]() Nez Perce Leather Bag |
![]() Nez Perce Leather Bag |
![]() Nez Perce Felt Bag |
![]() Nez Perce Leather Bag |
![]() Nez Perce Cloth Bag |
MANUFACTURING TECHNIQUES:THE BAG - was usually made of either leather (deerskin, elk, moose or buffalo hide, later from cowhide) or trade cloth (denim, gunny sacks or flour sackings).Sometimes cloth bags were edged in leather. They were stitched up the sides with leather thongs, sinew is made of leather and with thread if made of cloth.
BEADS - in ancient times shell beads were used to decorate clothing. By the early 1800s imported glass beads were common enough to be used as decorative panels on clothing as well as bags. The earliest beads were quite large and are known as "pony' beads. All of the bags in this case use the smaller "seed" beads, now known as "size 12" beads. THREAD - for leather bags, the beads were usually strung on sinew thread made from the fibers of a deer tendon and twisted on the thigh into thread. With sinew thread an awl is used to make a hole through the leather surface and then the end of the sinew thread was pushed through. With cloth bags and cotton thread, steel needles were used that they obtained in trade along with the beads.
STITCHING TECHNIQUES - the art of covering a surface with beads is called "appliqué beading".
Two methods are used:
1. "LAZY STITCH" - the beads are strung on the sinew or cotton thread and then fastened to the surface only at the ends of fairly short parallel rows. The beads tend to bump up between the stitches.2. "SPOT" or "OVERLAY STITCH" - The strings of beads are tightly attached to the surface, in close set rows that follow the pattern or design (don't have to be parallel) and a second thread is brought from below to tie the bead string down. This technique allows more curvilinear designs for floral motifs or pictorial scenes.
| NEZ PERCE CORNHUSK BAGS | ||
|---|---|---|
![]() Nez Perce Twined Cornhusk Bag |
![]() Nez Perce Twined Bag |
![]() Nez Perce Twined Cornhusk Bag |
![]() Nez Perce Twined Bag |
![]() Nez Perce Twined Cornhusk Bag |
![]() Nez Perce Twined Cornhusk Bag |
![]() Nez Perce Twined Cornhusk Bag |
NEZ PERCE CORNHUSK BAGSCornhusk bags developed during the 19th century from earlier root and grass twined bags. Once forced onto reservations the weavers could no longer get their preferred plat materials and began to substitute cornhusk, wool, and cotton twine.
Bags, like these were used to transport and store food and were often given as gifts full of cooked tubers or meat to hosts when visiting. Designs on opposite sides are almost always different.
| PLATEAU DOLL CRADLES | |
|---|---|
![]() Nez Perce Doll Cradle |
![]() Umatilla Doll Cradle |
The long, cold winters required village houses that were dug into the earth with plank and sod roofs for insulation. Most villages had from 5 to 10 houses, each with an extended family of 10 to 15 members. Most villages also had a large communal gathering house where feasts, ceremonies and visiting traders or guests were hosted. Visiting and feasting were the chief activities of the long winters. Visitors arrived with basket bags packed with cooked or preserved food as gifts. Peaceful exchanges and gatherings were part of the Plateau way of life.The mid to late 1800s saw devastating warfare between the U.S. Military and southern Plateau tribes. The Nez Percé, led by Chief Joseph, were forced into a long retreat before they surrendered in 1877. Like other Plateau tribes, they were forced onto small and over-crowded reservations in Idaho, Oregon and Washington.
CREDITS: BASKETS, BAGS & DOLLS: ART OF THE PLATEAU INDIANS was on exhibit at the Riverside Municipal Museum from November 1, 1998 to June 19, 1999.
Curator: Dr. Chris Moser
Exhibit Designer: Dasia Bytnerowicz
Web Concept and Design: Dana Neitzel
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